When she is cruel, she is very very cool, and when she is kind she is lavish.







no more than this

Yet here, Laertes! aboard, aboard, for shame! 55The wind sits in the shoulder of your sail,
And you are stay’d for. There; my blessing with thee!
And these few precepts in thy memory

See thou character. Give thy thoughts no tongue,
Nor any unproportioned thought his act. 
60Be thou familiar, but by no means vulgar.
Those friends thou hast, and their adoption tried,
Grapple them to thy soul with hoops of steel;
But do not dull thy palm with entertainment
Of each new-hatch’d, unfledged comrade. Beware 
65Of entrance to a quarrel, but being in,
Bear’t that the opposed may beware of thee.
Give every man thy ear, but few thy voice;
Take each man’s censure, but reserve thy judgment.
Costly thy habit as thy purse can buy, 
70But not express’d in fancy; rich, not gaudy;
For the apparel oft proclaims the man,
And they in France of the best rank and station
Are of a most select and generous chief in that.
Neither a borrower nor a lender be; 
75For loan oft loses both itself and friend,
And borrowing dulls the edge of husbandry.
This above all: to thine ownself be true,
And it must follow, as the night the day,
Thou canst not then be false to any man. 
80Farewell: my blessing season this in thee!

remember what love felt like


I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell’s fires fade:
Exit seraphim and Satan’s men:
I shut my eyes and all the world drops dead.

I fancied you’d return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)

Glenda.



“Oh, I see, yeah! It’s the north versus the south. It’s what we do in the north!” When you’re working in a team producing something creative, you have to be prepared to be honest to get the best results, she says. “I expect people to say to me: ‘What the fuck d’you think you’re doing?’ Not that I would ever say that to anybody, but that’s what you’re looking for; there is that shared sense of responsibility.”

THESE ARE NOT MY PEOPLE, I SHOULD NEVER HAVE COME HERE

I got up on Election Day and burst into tears — not a genteel twin trickle but a great heaving burst, zero to firehose. Tears spattered the inside of my glasses, dripped from my lips, and left mascara-tinged rosettes blooming black in my cereal milk. 
“Honey,” my husband crooned to me. “Honey, it’s going to be O.K. The numbers are still good. It’s O.K.”
But it wasn’t the numbers. I wasn’t sobbing because I was afraid Hillary Clinton was going to lose. That would come later. I was sobbing Tuesday morning because, as I poured my coffee, I’d caught a glimpse of a cable news interview with Mrs. Clinton just after she voted for herself in Chappaqua, N.Y. She seemed breathless, exhilarated, a little overwhelmed. Over her shoulder, Bill Clinton stared at his wife and beamed. 
My husband stares at me like that sometimes. It’s not just love — we expect husbands to love their wives — but something less traditional, more conditional and gendered. It’s professional respect. It’s pride. 
We’re accustomed to that pride flowing the other direction, from wife to husband, because men in our culture get to be more than just bodies, do more than just nurture. Men get to act and excel and climb and aspire and thrive and win and rule and be the audacious, hungry fulcrum of public life. It is normal for men to have ambition. It is normal for women to stand aside. 
I thought about Bill Clinton meeting Hillary Rodham at Yale in 1971, and how tenacious and intense she must have been even back then, how undeniable and potent. Mr. Clinton describes the moment in his memoir. “She conveyed a sense of strength and self-possession I had rarely seen in anyone, man or woman,“ he wrote. "She was in my face from the start.” He says he once told her, during those years, “I have met all the most gifted people in our generation and you’re the best.”
And then I thought about Mr. Clinton rising steadily through his political career, on the track we have built for charismatic, competent white men. He must have known, every second, how good his wife was. Not just good, but “the best.” Better than everyone he’d ever met; better than him, even. And he watched her stand next to him and wait, and wait, and wait, underestimated and degraded and excoriated for wanting more out of life than cookies. 
And she didn’t quit! She swallowed slander and humiliation and irrational hatred for three decades and she didn’t quit, and here she was, just a hair’s breadth from the presidency of the United States — the first woman ever to be trusted with the rudder of the world. He must be so proud of her, I thought. It made me cry. 
I cried because I want my daughters to feel that blazing pride, that affirmation of their boundless capacity — not from their husbands, but from their world, from the atmosphere, from inviolable wells of certainty inside themselves. I cried because it’s not fair, and I’m so tired, and every woman I know is so tired. I cried because I don’t even know what it feels like to be taken seriously — not fully, not in that whole, unequivocal, confident way that’s native to handshakes between men. I cried because it does things to you to always come second. 
Whatever your personal opinion of the Clintons, as politicians or as human beings, that dynamic is real. We, as a culture, do not take women seriously on a profound level. We do not believe women. We do not trust women. We do not like women.
I understand that many men cannot see it, and plenty more do not care. I know that many men will read this and laugh, or become defensive, or call me hysterical, or worse, and that’s fine. I am used to it. It doesn’t make me wrong. 
But maybe this election was the beginning of something new, I thought. Not the death of sexism, but the birth of a world in which women’s inferiority isn’t a given.
That grain of hope glowed inside me until around dinner time on Tuesday, the final day of an election so openly misogynist that the question “Sexual assault: good or bad?” was credulously presented for debate.
Today doesn’t feel real. It is indistinguishable from fresh, close grief. But if there’s one lesson we can take from Mrs. Clinton, politics aside — and even Donald Trump acknowledged it in the second debate — it’s the limitlessness of human endurance. Those of us who have been left in the cold by this apparent affirmation of a white supremacist patriarchy (and sorry, white women who voted for Mr. Trump, but your shelter is illusory) are tough.
We have been weathering this hurricane wall of doubt and violence for so long, and now, more crystalline than ever, we have an enemy and a mandate. We have the smirking apotheosis of our oppression sliming, paw-first, toward our genitals. We have the popular vote. We have proof, in exit polls, that white women will pawn their humanity for the safety of white supremacy. We have abortion pills to stockpile and neighbors to protect and children to teach. We have the right woman to find. We have local elections in a year.
The fact that we lost doesn’t make us wrong; the fact that they don’t believe in us doesn’t make us disappear. 

one day it'll all be over.

Cocaine flame in my bloodstream
Sold my coat when I hit Spokane
Bought myself a hard pack of cigarettes
In the early mornin' rain
Lately my hands they don't feel like mine
My eyes been stung with dust and blind
Held you in my arms one time
Lost you just the same
Jolene, I ain't about to go straight, it's too late
I found myself face down in a ditch
Booze in my hair, blood on my lips
A picture of you holding a picture of me
In the pocket of my blue jeans
Still don't know what love means
Still don't know what love means
Jolene, Jolene
Been so long since I seen your face
Felt a part of this human race
I've been living out of this
Here suitcase for way too long
Man needs something he can hold onto
Nine pound hammer or a woman like you
Either one of them things will do
Jolene, I ain't about to go straight, it's too late
I found myself face down in a ditch
Booze in my hair, blood on my lips
A picture of you holding a picture of me
In the pocket of my blue jeans
Still don't know what love means
Still don't know what love means
Jolene, Jolene, Jolene

i wish i didn't.

Look the other way

Here's a sigh to those who love me,
And a smile to those who hate;
And, whatever sky's above me,
Here's a heart for every fate'

Lord Byron

Finally, some honesty

Oh, I just love the kind of woman who can walk over a man
I mean like a god damn marching band
She says, like literally, music is the air she breathes
And the malaprops make me want to fucking scream
I wonder if she even knows what that word means
Well, it's literally not that

Of the few main things I hate about her, one's her petty, vogue ideas
Someone's been told too many times they're beyond their years
By every half-wit of distinction she keeps around
And now every insufferable convo
Features her patiently explaining the cosmos
Of which she's in the middle

Oh my God, I swear this never happens
Lately, I can't stop the wheels from spinning
I feel so unconvincing
When I fumble with your buttons

She blames her excess on my influence but gladly Hoovers all my drugs
I found her naked with the best friend in the tub
We sang "Silent Night" in three parts which was fun
Til she said that she sounds just like Sarah Vaughan
I hate that soulful affectation white girls put on
Why don't you move to the Delta?
I obliged later on when you begged me to choke ya


Father john misty

Needed.

TO PACK AND WEAR:

2 skirts
2 jerseys or leotards
1 pullover sweater
2 pair shoes
stockings
bra
nightgown, robe slippers
cigarettes
bourbon
bag with: 
   shampoo
   toothbrush and paste
   Basis soap
   razor
   deodorant
   aspirin
   prescriptions
   Tampax
   face cream
   powder
   baby oil

TO CARRY:

mohair throw
typewriter
2 legal pads and pens
files
house key

The White Album. Joan Didion